The NSU Studio Series Performance “Dance Works” is a mix of faculty, student, and guest choreography. The production was presented at the Performance Theater at the Don Taft University Center on Nov. 2 and 3.
In six dances, lasting a total of 60 minutes, the more than two-dozen extraordinary dancers of “Dance Works” gave a riveting performance, showcasing exceptional choreography and terrific range.
More than 200 people filled the audience to watch this opening performance of the Studio Series.
The music, a mix of traditional and modern tunes, reflected the beauty of the choreography’s execution. The self-expression of the dancers was astounding, epecially the things they can communicate with their hands alone.
Every dance piece communicated something different — from joy to fear and anger to sensuality.
“State of Change,” the overwhelmingly beautiful opening piece choreographed by Associate Professor Elana Lanczi, involved 10 of the shows dancers. They moved in various pairs with sensual exchanges — lifting, stroking, pushing, and supporting one another. It was truly incredible.
In “Bittersweet Departure”, students Fernando Campos and Rayna Orsini, who also choreographed the piece, danced to to a sensual, sexy tune, full of R&B rhythm. It was erotic and romantic, while remaining playful.
The only piece that fell short of my expectations was “Here,” choreographed and performed by Heather Maloney. It’s easy to suspend judgment in the name of innovation and education — especially since the solo performance was sultry and had dramatic low undertones — but the piece just seemed to go on too long, without merit.
“Organized Masyhem,” choreographed by Associate Professor Chetachi Egwu and performed by almost the entire ensemble, was a spectacular work of art. Its jazzy, hip-hop, and lyrical feel reminded me of a Broadway show. The piece was the perfect ending to a riveting night.
The collective work and ambition of “Dance Works” was truly a delight to see.
